Journal of the stylistic of Persian poem and prose
volume Number 14، number In Volume 11، February 2022 ، issue Number 69

A study of the stylistics of the lyrical poems "Mehr and moshtari" by Assar Tabrizi

Ziba Esmaeili (Author in Charge)

Abstract

BACKGROUND AND OBJECTIVES: The poem "Mehr and moshtari " by Assar Tabrizi is one of the most powerful poets of the eighth century AH. This work, like other lyrical poems of the seventh and eighth centuries, although written under the influence of military poetic style, was not devoid of individual poetic creations. This poem, despite having a relative reputation during the poet"s lifetime, has not received much attention from researchers. In this article, while introducing this work, its linguistic and literary features have been studied.

METHODOLOGY: This research has been done by library method with descriptive-analytical approach. The statistical research is all the poems of Mehr and moshtari.

FINDINGS: The poem "Mehr and Jupiter" has been composed in the form of Masnavi and in the sea of ​​Hazj Masdas. Different types of puns, word repetition, conjugation, consonants, consonants, adjectives, adverbs, adverbs, and rejections and photographs have been used to enhance the inner music of the poem. At the lexical level in this system, Arabic words and compounds, astronomical words and compounds, and newly created compounds have a high frequency, which seems to be influenced by Khaghani and Nezami in the use of these terms. At the literary level, simile, metaphorical addition, explicit metaphor, and allusion are some of the most common arrays used in this system. Metaphor and metaphor are used in accordance with the lyrical spirit of the work. The ambiguity of proportion is often created by the names of the characters in the story, which give the poem an artificial color.

Keyword
Assar Tabrizi , Mehr and moshtari , Stylistics , Linguistic Level , Literary Level

• Assar Tabrizi, Shamsuddin Mohammad. (1996). Mehr and moshtari, edited by Reza Mostafavi Sabzevari, Tehran: Allameh Tabatabai University.
• Gholamreza’ei, Mohammad. (2016). Stylistics of Persian poetry from Rudaki to Shamloo, fifth edition, Tehran: Jami.
• Homayi, Jalaluddin. (2003). Rhetoric and Literary Crafts, 21st Edition, Tehran: Homa, p. 76.
• Jami, Noureddin Abdolrahman. (1996). Masnavi Haft Orang, correction and introduction by Morteza Modarres Gilani, seventh edition, Tehran: Mahtab, P.850.
• Kazazi, Mir Jalaluddin. (1991). The Aesthetics of Persian Speech (Expression), Second Edition, Tehran: Markaz, Mad Book, P. 95.
• Khaghani Shervani, Afzaluddin. (1995). Divan of Khaghani Shervani, correction, introduction and comments by Zia-ud-Din Sajjadi, fifth edition, Tehran: Zavvar, P.53.
• Modaares Tabrizi, Mohammad Ali. (1990). Reyhaneh al-Adab in the translation of famous people in his nickname and title, Volume 4, Third Edition, Tehran: Khayyam, P.140.
• Nezami Ganjavi, Elias Ibn Yusuf. (2005). Generalities of Khamseh Nezami Ganjavi, by Parviz Babaei, Tehran: Negah, pp. 1, 157 and 208.
• Safa, Zabihollah. (2002). History of Iranian Literature, summary by Mohammad Torabi, fourteenth edition, Tehran: Ferdows, P. 81-82.
• Shafiee Kadkani, Mohammad Reza. (2004). Images of Imagination in Persian Poetry, Ninth Edition, Tehran: Agah, P.140,149.
• Shafiee Kadkani, Mohammad Reza. (2006). Poetry Music, Ninth Edition, Tehran: Agah, P.9, 67.
• Shamisa, Sirus. (2000). A New Look at Badie’, Twelfth Edition, Tehran: Ferdows, P.77.
• Shamisa, Sirus. (2011). Bayan, fourth edition, Tehran: Mitra, P. 279.
• Tarbiat, Mohammad Ali. (1935). Scientists of Azerbaijan, Tehran: Majles, P.276.
• Vahidian Kamyar, Taghi. (1988). Weight and Rhyme of Persian Poetry, Tehran: University Publisher Center, P. 61.